1. Which of the following is not a ball sport?
baseball
billiards
cricket
swimming
golf
2. If it's another person's turn to do something, what do you say?
You're getting into the swing.
Keep your eye on the ball.
You're moving the goalposts.
The ball is in your court.
3. If everything needs to be done in an equal and fair way, what do you say?
It's par for the course.
We need a level playing field.
Let's get the ball rolling.
We're out of our league.
4. If someone needs to focus on what they are doing, what do you say?
You're moving the goalposts.
You're getting into the swing.
Keep your eye on the ball.
The ball is in your court.
5. If someone isn't reaching their usual standard, what do you say?
Let's get the ball rolling.
You're out of your league.
You're not up to par.
It's par for the course.
Question was not answered
6. If you want to start a meeting or a discussion, what do you say?
We're getting into the swing.
Let's keep our eye on the ball.
The ball is in our court.
Let's get the ball rolling.
7. If something happens which is normal and expected, what do you say?
You're moving the goalposts.
It's par for the course.
Keep your eye on the ball.
We're not up to par.
8. If someone changes something partway through a project or discussion, what do you say?
You're out of your league.
You're not up to par.
You're moving the goalposts.
We need a level playing field.
9. If someone is getting used to doing something, what do you say?
Keep your eye on the ball.
The ball is in your court.
Let's get the ball rolling.
You're getting into the swing.
10. If someone has less skill or experience than everybody else, what do you say?
We need a level playing field.
He's out of his league.
He's moving the goalposts.
It's par for the course.
Zur Rezeption von Franz Kafka und Samuel Beckett in Rumänien
Receptarea lui Franz Kafka şi a lui Samuel Beckett în România Abstract Teoria receptării a înregistrat în ultimii ani o dezvoltare impresionantă, astfel încăt s-au putut trasa linii generale de descriere a unei direcţii de receptare în conformitate cu anumite tipologii estetice care marchează receptarea literară la nivel de receptor cult şi instruit. Acestea sunt premisele principale de la care porneşte cercetătorul în căutarea sa de modele şi modalităţi literare de receptare. S-a vorbit astfel de patologii de receptare, de estetica personajului şi nu în ultimul rănd de o receptare critică a operei literare. Sarcina cu care se confruntă cercetătorul în demersul său este de a descoperi în ce măsură opera examinată capătă caracter normativ la nivelul unui grup de receptori care aderă la stilul, forma şi limbajul literar al autorului receptat. Franz Kafka şi Samuel Beckett se integrează în categoria scriitorilor emblematici ai modernităţii şi drept urmare am considerat că un stud...
Comments